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Sunday, April 11, 2021
Favourite Comics: Amazing Adventures issue 18:
Nearly a half-century on I still consider 1973 to be the year that cemented my destiny in becoming a lifetime comic book fan. It was a year when Marvel in particular was producing comics that were bursting with originality and excitement as many of their writers and artists were reaching the peak of their talents. Amazing Adventures issue 18 featuring War of the Worlds is for me the epitome of this output in creativity.
Looking at the excellent John Romita cover with modern eyes you would be forgiven for thinking this looks like some dodgy soft porn comic with the lead character decked out in leather hot pants and thigh length boots. But you have to remember this was 1973, this was the height of the glam rock graze and having a hero looking like he had been ripped from the cover of a David Bowie /Ziggy Stardust album was considered cool.
I purchased this comic on a wet Saturday in a newsagents in my then local town just outside Glasgow. As I recall I only had enough money to purchase one comic that day and my proposed purchase was to be between Amazing Adventures 18 and Iron Man issue 58. To be honest it was a no contest Iron Man was going to win as I had assumed that Amazing Adventures was going to be no more than a mildly entertaining limited series comic book adaption of H G Wells' famous novel, which I had only recently read. Luckily for myself I decided to have a quick peek inside the comic and saw the splash page was by my favorite artist Neal Adams. Sadly Adams couldn't finish the art on this book on time and the art chores for the remaining pages (actually the bulk of the comic) was passed to up and coming superstar Howard Chaykin. Despite this the 11 pages of Adams art are amongst his best ever work for Marvel.
The story itself is of course based on the H.G. Wells novel of the same name but here Roy Thomas pushes the concept further with the return of the Martians and introduces a new hero, Killraven to fight them in the far off distant future of …….....2017 (arghh! remember when the 2000’s felt like a lifetime away in the 1970's?). The story was plotted by Roy Thomas and scripted by Gerry Conway and takes place in New York City, 2018 after the Martians second invasion. In the first Adams drawn pages we see Killraven fighting his way through a subway tunnel and on entering Grand Central station (above) he finds the Keeper, who unleashes a few mutants against him which he easily dispatches. Killraven then throws a sharp piece of machinery and impales the Keeper who thanks him and tells him how he can help overthrow the Martians before dying. As much as I enjoyed this series in the hands of other artists like Herb Trimpe and P G Russell I would have loved to have seen more of Neal Adams version of the character.
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The cover seems familiar to me, but not the insides of the mag. Maybe it was used somewhere else and I saw it then. Weren't these tales redrawn, with the Martians becoming apes, to fill the pages of the UK Planet Of The Apes weekly? When did the movie Zardoz come out? Either big Sean ripped off Killraven or vice-versa.
ReplyDeleteI can't recall the cover being used anywhere else other than in adverts for the book and as the Masterwork cover for the series - maybe it was used for a UK Marvel cover. Yes the strip was indeed redrawn with the mutants etc changed to apes for the UK weekly Planet of the Apes comic as Apeslayer . I totally forgot about the Zardoz film (and Sean in black boots and a red g-string yuk!) that was released in 1974, the comic in 1973 so they overlapped but I think it's unlikely either copied the other.
ReplyDeleteThat reminds me that when the FF's first encounter with the Red Ghost was reprinted in Wham!, he was renamed the Apemaster to avoid the 'commie' link. When the tale was reprinted in MWOM, he was retitled the Mad Ghost.
ReplyDeleteThat's strange as I was not a big reader of the FF or any superhero strip (apart from Spidey) at that time in the Oldham's comics, but now you mention it I remember that. Weird the things that stick in your memory
ReplyDeleteMeant to add Alan Davis drew a similar cover for his Killraven mini series, maybe that's what you were thinking of when you said the Amazing Adventures 18 cover was familiar.
ReplyDeleteEither that, or perhaps I saw an ad for the original cover back in the day. Or maybe I saw it in my Marvel's Fantastic Firsts volume. And excuse me for being a pedant, but it's Odhams, not Oldhams. Must get these things right - history depends on it.
ReplyDeleteI stand corrected Kid. Actually I know its Odhams I'm just a rotten typist. I wrote this thread on my phone, never again Blogger is to messy even on a laptop but for me it’s nigh on impossible on a phone. I may do a wee self-indulgent Odhams. article next.
ReplyDeleteI've noticed that a couple of comments I've made recently seem to be duplicated....has anyone else noticed this happening? I think it only happens when I post a comment from an iPhone rather than the laptop. Any ideas welcome.
DeleteRe Amazing Adventures : checking back to my comics logbook from that period, I see that I had this issue plus the following issue #19. And then no more. Was Amazing Adventures one of the casualties of Marvel UK stopping distribution of US comics that would impact sales of the UK weeklies, due to the pending re-purposing of Killraven to Apeslayer?
Anyway, I shall now track down #18 for the Adams art.
I've had a few duplicate messages on here from other folk and have one from yourself on my last post about Avengers 106 ( I'll delete that soon Ian)
ReplyDeleteI certainly had most of the issues of Amazing Tales from issue 25 until it's end, but I'm not sure if issues 19 to 24 were distributed in the UK. That could have been as you say because they were reprinted in the UK weekly Planet of the Apes from issue 24. However, I think Amazing Adventures 19 was published mid 1973 and UK POTA issue 24 was published early 1975 so sounds unlikely if I have my dates correct. I didn't buy the weekly POTA comic but I seem to recall picking issue 19 up t unless that was in later years.